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Marloes de Valk (NL) is a software artist and writer in the post-despair stage of coping with the threat of global warming and being spied on by the devices surrounding her. Surprised by the obsessive dedication with which we, even post-Snowden, share intimate details about ourselves to an often not too clearly defined group of others, astounded by the deafening noise we generate while socializing with the technology around us, she is looking to better understand why.
She has participated in exhibitions internationally, teaches workshops, gives lectures (a.o. at Transmediale and Chaos Communication Congress) and has published articles on Free/Libre/Open Source Software, free culture, art and technology (a.o. in the Contemporary Music Review, Archive 2020, Pervasive Labour Union Zine and NXS). In 2018 she was the winner of the Hash Award, an international production award granted by ZKM and Akademie Schloss Solitude. She is a thesis supervisor at the master Media Design and Communication at Piet Zwart Institute. As a former member of artist collective GOTO10, she has helped develop the puredyne GNU/Linux distribution and Make Art festival. Together with Aymeric Mansoux she is editor of the publication FLOSS+Art, published early 2009. She is part of Plutonian Corp, La Société Anonyme and Iodyne dynamics.
Her latest projects include Naked on Pluto (VIDA award), with Aymeric Mansoux and Dave Griffiths, a playful yet disturbing online game world, developed with Free/ Libre Open Source Software, which parodies the insidiously invasive traits of much "social software". The SKOR Codex (Japan Media Arts Festival award), with La Société Anonyme, a limited edition of eight hand bound books inspied by NASA’s Golden Record, aiming at preserving the memory of Dutch art institution SKOR for the distant future, after it was closed down in 2012 due to massive funding cuts in the arts. Currently she is working on the game What Remains, a darkly humorous, authentic Nintendo Entertainment System (NES) 8-bit game based on how public opinion was, and still is, shaped to prevent the creation of government regulations needed to protect us from man-made environmental disasters.
Email: my first name @ this very domain.